mahesh

mahesh
dynamic looks

prince history

Mahesh Babu started out his movie career as a child actor in his father's films before making his debut as a Hero.
Mahesh Babu Debuted with Rajakumarudu in telugu Industry as a Hero.The movie co-starred Preity Zinta who played the heroes romantic interest. The movie received good response at the box office.
His 2nd movie was Yuvaraju ,Sakshi sivanand and Simran were cast opposite Mahesh, The movie failed to make an impact and considered Flop at the box office.
His 3rd Movie was Vamsi co-starring Namratha Shirodkar whom he married later on. The movie also featured his father Krishna in a pivotal role. The movie didn't do well at box office and was declared a Flop.
His 4th Movie Murari directed by Krishna Vamsi and co-starring Sonali Bendre provided him the much needed breakthrough. Movie was declared as HIT & the music was an instant hit and it proved Mahesh's ability as an actor.
His 5th and the first Cowboy Movie in his generation was Takkari Donga . Despite heavy expectations the movie did average collections and considered as Flop at the box office.
His 6th Movie was Bobby With arti agarwal as a Heroine and Directed By shoban was a Flop
His 7th Movie was what all His Fans were lookin for Okkadu .This Movie directed by gunasekhar was a Blockbuster and remained the best film till then, With this movie Mahesh became one among the young top heroes of telugu industry
His 8th movie was Nijam , Though the Movie Didn't do well at the Box office and was declared a Flop - it was applauded by the movie critics and Mahesh Won the Nandi Award for Best Actor for this film.
His 9th Movie was Naani , Directed By surya. Mahesh always tried Novelty in his films and this time he did a Experiment with a Different Story of science fiction which resulted as a Flop, this movie did not do well at the box office but the audio was a big hit.
His 10th Movie was Arjun Directed By gunasekhar, this is a Family movie which was Average to above average flick
His 11th Movie was Athadu Directed By Trivikram srinivas this was a Huge Hit in southindia and Overseas. the Music added to the Success of the Story. The Movie's screenplay was Critically acclaimed as best till date that time. Mahesh Won the Nandi Award for Best Actor for this film. He Did it again for the second time.
His 12th movie was Pokiri is a BlockBuster, Undoubtedly the Highest grosser in the History of telugu Cinema in India as well as Overseas Till Date. This is the Film that has been watched by film People from Bollywood,Kollywood Like Amitabh Bachchan , Abhishek Bachchan, Joseph Vijay Etc. His performance was applauded by even Ram Gopal Varma and Amitabh Bachchan.[3] Mahesh's potential attracted Different Media giants like UTV to come to Telugu Industry. Now Pokiri is also being made in Bollywood under the name Wanted Dead or Alive starring Salman Khan.
His 13th Movie Sainikudu had a tremendous opening but failed to live up to expectations and became a Flop at boxoffice. Trisha was starred against him.
His 14th Movie was Athidhi in which he paired with Amrita Rao. After the huge success of Pokiri, its been highly difficult to Mahesh to match the expectations, and This was a Commercially Successful Movie but Didn't go on a long Run and the result is Flop.
His Next film is Varudu in the direction of Trivikram Srinivas and A Warner Bros- Soundarya Rajnikanth film directed by Puri Jagannadh.

Sunday, July 27, 2008

article 5

Writers booked by businessThe World Trade Fair in Delhi and a session with Kiran Nagarkar, the leading Marathi writer whose novel Cuckold, written in English, I regard as the best by an Indian, gave me much food for thought. I also have in mind Sheela Reddy’s article in Outlook mentioning the huge advance royalties now being paid to new writers by some of India’s leading publishing houses like Penguin, Viking, Harper Collins, Rupa and Roli Books. They run up to Rs 50 lakh before a word of projected novel has been written. They are higher than advance royalties offered to authors in America or England or in any other European country. And they are offered only for works in English, not for written in our national language Hindi or regional languages. It is clear that English reigns supreme in India. In the Book Fair over two-thirds of the stalls were taken by English; Hindi and Urdu were a poor second and third; other languages were barely noticeable.The world of writers and publishers has changed beyond recognition. The pioneers of Indians writing in English — Mulk Raj Anand, R.K. Narayan and Raja Rao either had patrons who helped them find publishers or organisations which sponsored their works. They made some noise in literary circles but not much money. The institution of literary agents was little known. The only one I heard of was Curtis Brown. It was said that if it took up your work, they would find you a good publisher and take their cut on royalties due to you. I for one never went through a literary agent-nor had problems finding a good publisher. I was happy with the 8-10 per cent they gave me on sales of my books. Today a literary agent has become a powerful factor in publishing: the best of writers use them because it is they who get publishing houses to cough up huge sums as advance royalties. The whole business resembles a whore-house. Publishers can be compared to brothel keepers, literary agents to bharooahs (pimps) who find eligible girls and fix rates of payment; writers can be likened to women in the profession. New comers are virgins (naya maal) who draw the biggest fees for being deflowered.
Publishing houses package their goods with saleable titles, beautifully drawn jackets with a line or two by a celebrity author vouching for the excellence of its contents. It has become a racket. You can see the same kind of set up in Kolkata’s Sonagachi, Mumbai’s Kamatipura and Hyderabad’s Mahboob ki Mehendi.Rusy KaranjiaHe died on Friday, the February 1, aged 95. As a matter of fact he had ceased to be the Russy I knew well almost a decade ago. When I met him last time it was at a large reception in a hotel, his daughter Rita warned me “Uncle, he won’t recognise you.”
There he was as dapperly dressed as ever and shook me by the hand. From the glazed look in his eyes I could tell he did not know who I was. I was used to it as my wife suffered from the same ailment: Alzheimer’s disease which manifests itself by lapse of memory. During my nine years in Bombay I met Russy almost every fortnight. At times we lunched together; a few times he asked me over for drinks at his home. He had made his tabloid Blitz a weekly habit. So had Dosu Karaka and Babu Rao Patel. Russy and Dosu had an ongoing slanging match: Rusy championing the Left, Dosu the Right; Babu Rao Patel championed Hindutva with weekly jibes at Muslims. He lived in a suburb with his two wives and Gurkha guards for security. I regarded all three as yellow journals and enjoyed going through them. None of the obituaries I’ve read so far mentions the fact that Russy was once reprimanded in Parliament.
Russy lived in princely style. So did his friends Rajni patel, President of the Pradesh Congress Committee and Ramesh Sanghvi, PRO of the Shahenshah of Iran when he visited Bombay. Their hearts bled for the poor and the destitute. They made people like me feel like blood-sucking capitalists. Russy had no political scruples nor concern for people he lampooned in his journal. Having upheld Socialists and Communists most of his years, he had no compunction supporting BJP and Hindutva when it seemed to be the winning side. I was trashed more than once in Blitz (and regularly in Mother India). Russy made up by saying he knew nothing about the piece against me, as he was abroad, and inviting me to lunch.Russy kept his cool when he was attacked by critics. The only time I saw him rattled was when his long-time friend Olga Tellis, full of oomph in her younger days, became friendly with the dashing George Fernandes, then Minister of the Central Cabinet.
None of the three journals had circulation they claimed to attract advertisers. All the three ceased publication: Blitz died in Russy’s life-time well before he was taken ill. However, whatever their negative aspects, all three left their mark on the history of India journalism, Russy Karanjia more than the other two.Sarcastic SmilesI smile when Prakash Karat says “Excuse me I am extremely blunt: My party is neither with Congress nor with BJP. We want to forge a third front:”I smile when L.K.Advani says, “Being a humble man I don’t boast,I have an unfulfilled desireI simply covet PM’s post.”I smile when Mayawati says“My birthday bash enacted a wonderful scene. The topmost Babus of Uttar PradeshAdored me like a Phantom Queen.I smile when our maid-servant says, “Sir, the day is not very far.When to render domestic helpI shall come to your house in a NANO car.

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